Why I don‘t rely on Amazon (Pt XXIII)

(Actually the Pt XIII is probably an underestimate)

My latest book is published in three editions: hardback with a dustcover, paperback, and ebook. None of these editions was produced through KDP, and each has my own imprint (j-views Publishing) and ISBN assigned to me.

Why did I do everything through IngramSpark?

Typically in the past I have used IngramSpark (IS) for print editions, using InDesign as my interior formatter, and a mixture of Illustrator and Photoshop for the covers, using the IS templates to position the design elements correctly. Ebooks were a matter of exporting the InDesign text to DOCX format and then running the file through Vellum, a foolproof way of producing good high-quality ebooks from Word files (even if the formatting choices are a bit limited). EPUBs went to Smashwords for most ebooks (Apple, Kobo, etc.) and KDP for Kindle. A number of reasons for the change:

  1. IS has dropped the price of production for print and ebook editions to zero. It was never that expensive to start with, but zero is a nice round figure. Makes accounting simpler as well.
  2. I upgraded my computer recently, allowing me to use the latest version of InDesign. This allows for much better EPUB export, allowing me to use the same file for all editions, and keep the text in sync (InDesign also includes a conditional text feature, which makes it easy to maintain different editions in one file).
  3. Amazon now want an EPUB as the input to create their Kindle files. Need I say that Amazon’s rendering of EPUB files in Kindle is primitive and lags behind others (Apple, Kobo, etc.). This meant going in with Calibre and doing tweaks galore to the rather over-engineered files from InDesign.

The hardcover was a labour of love – I really didn’t expect to sell that many, but it went on sale on 1 October and it’s had a few buyers. I have set the release date for the ebook to 15 October, and for the paperback to 1 November.

And now…

Here’s how Barnes and Noble show it. All well and good. Correct release dates are being shown. Now let’s look at Amazon (US):

Amazon, on the other hand:

  • seems unable to find the front cover for the hardcover edition
  • the Kindle edition is not linked to the printed editions

But of course, in authorcentral, the story is completely different:

All right, I’ll give them 72 hours to try and get things right. But if B&N, who don’t pretend to be a technology company, can manage it, why can’t Amazon?

But when you look at this sort of thing, you have to question Amazon’s ability to compensate authors with the correct amount for their sales. When the two different parts of Amazon are clearly unable to talk to each other, you have to wonder.

Here’s one I did earlier…

In 2012, I wrote a story for the benefit of a young lad who was going into hospital for a dreaded medical procedure. This was part of an anthology arranged by Jo, the Boss Bean of Inknbeans Press, for the son of one of her authors.

I’d forgotten all about it until now, and I recently discovered and re-read it, actually enjoying it. I’d forgotten the punchline, and it actually made me chuckle.

So… why not let the world have a look at it – for free? Here it is. Enjoy this short SF story.

25% off all books! (opening sale)

Lello bookstore, Portugal

Well, I’m a few months late to the party, but it  seems that Amazon has finally admitted that there is a life outside Kindle!

It’s now apparently possible to load EPUBs onto your Kindle through Amazon’s discomobulator which turns them into Amazon’s proprietary format. In fact, the Amazon ebook publishing service gave up accepting DOCs and DOCXs some time ago, and now only accepts EPUBs. I’m guessing that technology has now made it over to the consumer side of Amazon, having had the suppliers as beta testers to iron out the bugs. Here’s how you do it!

What this means for readers is that there is a vast sea of public-domain and other titles out there which are now available for reading on Amazon devices.

And for me and other authors who do their own production and sales, it means that there’s only one file that needs to go up on ebook sales pages.

So now having set up a shiny new shop, courtesy of Payhip, where my books were neatly arranged as both EPUB and MOBI, I find I really needn’t have bothered. [UPDATE – I simplified everyone’s life by only offering the EPUB]

Anyway, take a look at the store, poke around, kick the tyres, buy something if you want something to read, and get a 25% discount on everything using the coupon code 1B57WFAEZI (valid until 17 September 2022). And give me some feedback on things you liked, and things you didn’t like about it.

Should I have written this book?

After reading accounts of what the subprime crisis had meant to ordinary people, I was tempted, or perhaps even inspired to write a story about it.

I imagined someone who’d been abroad on military service, with little knowledge of what was actually happening in his home country (the USA), coming home and discovering what had happened to his family and friends, and taking revenge. Since the subprime crisis largely affected people of colour, I decided that the protagonist should be African-American and the family should come from suburban Ohio. [note: although the book is written using US spellings such as ‘color‘, this article uses UK spellings; ‘colour‘.]

For an opposite number, out to stop the revenge killings, I chose a financial journalist working in New York City. And they would be female and gay.

Now, I had saddled myself with a lot of what is often terms “cultural appropriation” there:

  • I am not American – I have never even lived in America for more than a couple of weeks at a time
  • I am not a person of colour
  • I have never served in the USMC, or any branch of any military, other than as an RAF cadet at school
  • I’ve never been to Ohio
  • I’ve only been in NYC for an afternoon
  • I am not female
  • I am not gay
  • And though I do have experience of working with large news organisations, I’ve never been employed by one

But even so, I wanted to write this book. I do have friends, both in the USA and also from the USA living in Japan, whose brains I could pick, and use to check dialogue and general flavour (and American spellings). One of those who provided the most assistance was Bev Thomas, a Facebook friend, who also wrote a short guide to assist those who are in danger of losing their homes, which I included in the book as an appendix.

STOP PRESS!

I’ve just dropped the price of the ebook to $0.99 or local equivalent worldwide. Get it from Amazon, or other booksellers.

Balance of Powers features an African-American Afghan vet, Major Henry Powers, USMC, who comes home to find his sister’s house repossessed by the bank which sold her the mortgage, and his sister and her children out on the streets – somewhere. While searching for them, he meets Jeanine and her children, who have likewise been made homeless. What he finds sends him into a killing rage, and bodies pile up in his wake as he discovers the corruption and sleaze that surrounds the whole business, from mortgage salesmen up to traders in international financial houses.

Meanwhile in New York, Kendra Hampton, financial journalist, finds out more about the Wall Street murders that have spooked the trading floors. She finds herself on a collision course with Powers, which ends dramatically in New York City.

Now all of this is quite a feat of imagination, when you’re writing from Japan. I was somewhat nervous when I first put it out with an American publisher, but judging from the reviews, no one seems to have noticed my British accent.

The book also includes some relatively explicit sex scenes and sexual references, a lot of four-letter words, and quite a lot of violence – way out of my usual comfort zone. Against which, I think I produced at least three well-rounded characters:

  • Major Henry Gillette Powers: ex-USMC Afghan vet. An intelligent compassionate man moved to acts of extreme violence by what he sees around him.
  • Jeanine (other name unknown): mother of three children, now single, and made homeless through the repossession of her house.
  • Kendra Hampton: financial journalist living and working in NYC. Partner with Liz.

And some dialogue that I enjoyed writing:

“Hey! Where are you going? Downtown’s the other way.”
“I know. I’ve been thinking.”
“Uh-oh. Every time a man says that, it means he’s thinking of dumping you.”
“Not exactly, but…”
“And that’s another one that means the same thing. Been nice knowing you, Henry. Stop the car now, so’s I can get out? Pop the trunk, let me get my things? Okay?”
“It’s not that.”

Balance of Powers: Ch 11

And also some writing of interactions that I feel pleased with:

He was more than a little intimidating – a tall, well-built black man in a beautifully-cut suit and a military air about him. He introduced himself only as “Henry”, without a last name. She noticed a Marine Corps ring on one hand, but refrained from asking any questions about it.
“Did you know Mr. Reichman?” she asked him.
“Yes, ma’am, I did.” Very cool and correct, not giving away more than he had to.
There was something vaguely familiar about his face. “Have we met?”
“I’m sure I would remember you, ma’am.” A smile which ickered briey and then vanished as if it had never been.
“Strange,” she mused. “Pardon my curiosity, but may I ask how you met Mr. Reichman?”
“We met at a social event.” This guy wasn’t going to give anything away. Something told her that uttering her eyelashes at him and using her feminine charms was going to have as much effect on him as it would do on the coffee machine in the corner.

Balance of Powers Ch 22

So all in all, it’s a book I’m pleased with. It has good characters, a decent plot, a message that doesn’t beat you over the head, and a style that perhaps disguises the origin of its author.

Oops! False start…

Apologies.

I uploaded the EPUB version of On the Other Side of the Sky to the Amazon Kindle convertor and all seemed to be OK. No error message, EPUB looked great on my Kobo. I don’t own a Kindle and none of the pieces of emulation software seem to do their job on my computer.

However, when I could finally see the preview on screen following the release of the book (KDP offers an on-screen preview, but never seems to allow you to see the results of your latest upload, taking you straight to the pricing page once you’ve uploaded the new version) – all my fancy fonts had been stripped out (with no warning – thank you, Amazon) and so the nice little squiggly doodles that I’d carefully inserted came out as M and u.

In addition, it seemed that the InDesign TOC creation process had fouled up, putting Part headers at the end of the preceding chapter. Even going into the source code with Calibre, and cutting and pasting (and editing TOC files and the CSS files) didn’t seem to fix it.

So… start again with Vellum. A pain, but it works. Export from InDesign to RTF, open in Word, save as DOCX and import into Vellum, tidying up all the chapter and section divisions as I go. So as of today (December 1) the new edition is with Amazon having passed the initial checks. With luck you’ll be able to get it tomorrow. Same with Smashwords (Kobo, Apple, B&N, etc.).

On the Other Side of the Sky

A novel combining history, adventure, and more than a little touch of the arcane