I recently read Cold Comfort Farm for the first time, and was brought up short by the publisher’s note on typography and orthography, particularly the use of -ize as opposed to -ise as a word ending.
This is one of my favourite books from the point of view of the physical design of the book. Originally, it was two separate paperback volumes, The Untime and The Untime Revisited (both of which are still available as ebooks – check them out here), but I decided to combine them into one print volume, since one is a very clear sequel to the other.
I had some designs which I’d used for the cover of the original, but I preferred to take a completely different tack on this, and to try to recreate the feeling of a 19th-century book using 21st century technology. Steampunk publishing, if you will. Continue reading “Making a steampunk book…”
Anyone who knows anything about the booky side of me knows that I love fonts. I try not to be too gimmicky about them and I avoid a lot of the “script” and “brush” fonts, as I’m not really a graphic designer doing posters, but I do try to find a font for a book body that suits the content.