A book that looks at America and Americans – the premise of the title is that the USA is a very foreign country indeed – very far away from the UK in many deeply fundamental ways, but because they speak English, we think of them as slightly eccentric siblings, rather than distant relatives with very different worldviews to those we have in Britain.
Sorry about the silence recently. Some of it has been an enforced silence (minor surgery with subsequent complications) and some has been connected with things I am not allowed to talk about (no, I haven’t joined MI6 or MI6 or GCHQ, but there are secrets which must remain hidden for the nonce*).
Anyway, I recently bought a copy of Hell’s Empire, an anthology of weird/horror tales around a common theme.
Imagine Them – the demons of Hades, the Empire of the Damned, the Dukes and Earls of Hell, commanding legions of the damned to battle against the heartland of the Empire on which the sun never sets. Martini-Henrys and Maxims bark and chatter against fanged, clawed horrors that rip off heads and splay intestines in obscene eldritch patterns. Continue reading “Hell’s Empire – John Linwood Grant (ed) – REVIEW”
This is unusual for me – reviewing a TV series (on Amazon TV). I don’t watch an awful lot of TV series – I tend to get bored with them – unless they’re semi-documentaries like The Looming Tower or Tom Hanks’ From the Earth to the Moon.
However, I did note that Good Omens was available on Amazon TV. I’m never 100% convinced about Neil Gaiman’s books, but I do like Terry Pratchett, and I had enjoyed Good Omens as a book, though the end went a little too fast and left me confused. So I decided to watch the first episode of the Amazon production, and I was hooked.
Somehow, the verbal paradoxes and twisted logic of the book made it onto the screen, partly due to the voiceovers by God which played the same sort of role as The Book in HHGTTG.
What really made it for me, though, were the characters of and the relationship between the angel and demon (Aziraphale and Crowley) who came through beautifully. I went into there with almost no expectations of how the actors would come over. I had heard of David Tennant but couldn’t tell you anything about any other parts he’d played except for his role as Doctor Who (which I have never seen) and would never recognise him, and had never heard of Michael Sheen.
How can you manage to be so ignorant? you ask. Lack of interest in “celebrities” and in fictional drama, and nearly 30 years out of the country, I answer.
But what really made it for me is that the ending, complex in the book, all started to make perfect sense in the TV series.
The special effects were, of course, wonderful and the makeup and the characterisation of some of the minor characters was great (I especially liked Beelzebub, and Gabriel). Definitely worth giving up three evenings for.
My introduction to alternative history was Philip K.Dick’s The Man in the High Castle, which I read when I was about 20. I hesitate to call it my favourite, though.That prize goes to Len Deighton’s SS-GB, which combines an interesting alternative timeline where the Nazi invasion of Britain takes place with a detective/espionage thriller. Since Len Deighton has also written some pretty good popular historical books on related subjects (e.g., Fighter and Blitzkrieg), I took his ideas as being fairly accurate.
And now here comes Derek Robinson, whose books I also enjoy, who enjoys getting to the heart of matters – at least as he sees them – which he has done in novels such as A Piece of Cake and Damned Good Show, in which he explores the myths that have grown up around the historical episodes he is writing about. So Invasion 1940 is there to prove to the reader that the Battle of Britain, though important, had very little to do with stopping Operation Sealion (the planned Nazi invasion of Britain).