John Linwood Grant and I have been friends on Facebook for some time now. We share a love of books, of the late Victorian and early Edwardian eras, and a sense of the surreal and absurd, and he has interviewed me on the subject of Sherlock Holmes pastiches, and been kind enough to write things about another of my books. He, however, has lurchers and a beard, as the biography at the end of his latest book, The Assassin’s Coin, reveals – I have neither.
I was going to buy the ebook edition of this book, but since the only ebook edition appears to be in Kindle format, and I don’t own a Kindle, I went for the printed paperback, and I’m glad I did. It’s a nicely produced slim volume, with no glaring typos or other print-based infelicities, and it’s of a length to be read in one sitting. However, I took a couple of evenings to finish it – it was a book that made me put it down, think, and then take it up again.
Two years ago I was invited to talk in London about science and literature. Being someone who lives in the past (at least in a literary sense), I decided to talk about Jules Verne and H.G.Wells, and if possible to bring in Sir Arthur Conan Doyle.
It seemed a fairly straightforward sort of thing to be talking about, but in the end, it turned out to be a little more complex than I had imagined.
Anyone who knows anything about the booky side of me knows that I love fonts. I try not to be too gimmicky about them and I avoid a lot of the “script” and “brush” fonts, as I’m not really a graphic designer doing posters, but I do try to find a font for a book body that suits the content.
I don’t watch many films, but when I do, it’s usually on planes. Why I don’t watch many films is a mystery shrouded in the mists of time… Actually, it’s more to do with attention span and imagination, I think. I prefer, on the whole, to read for myself (fast) and imagine action, rather than to watch it (slowly) on screen. It was the same at college – I preferred to read my lecturers’ books rather than attend their lectures which basically only rehashed the books.
Anyway, back to films… the few I have seen recently seem to be more along similar lines. I tend not to choose to watch romances, remakes of classics, or action movies. Historical, yes, and various kinds of “other” productions, including childrens’ films (I like the Minions and Despicable Mes, for example).
A few that I have watched recently all seem to fit the same pattern, though, and I think it is a reflection of the current state of affairs in the world. Or maybe the world is being influenced by them, and people are emulating the stars and the plots of these films, but I think this is Hollywood doing what it has done for a long time – providing viewers with the realisation of their fantasies.
Just treated myself to a decent keyboard (piano-type, not QWERTY). In Japan, I bought a Kurzweil MIDIboard, a heavyweight monster of a thing which was a beast to program and lovely to play (polyphonic aftertouch, anyone? Great with the Arturia CS-80). It lasted me for over 20 years, and when I came to leave Japan, it was still working well, and I had no wish to throw it away. It ended up with Morgan Fisher, former keyboard player with Mott the Hoople, who took it off my hands.
It was great to hear him play the opening to “All the Way from Memphis” using this as one of his test pieces when he was deciding whether to buy it off me or not.
But that left me with no keyboard when I came to England. I’ve been using a CME Xkey 37 – another poly aftertouch beast, but the action is very limiting, and I wanted to play some piano – 3 octaves are not enough.
So I looked around, and found what looked like a great deal – a Fatar keybed allied to a decent piano, with a tonewheel organ emulator (with drawbars!), and a subtractive synth – and some fairly sophisticated MIDI facilties.
It has only just made it into the mass market, after production difficulties, it would appear, and my Studiologic Numa Compact 2X made it here this morning. So far, so good, though I have already uncovered a few wrinkles, but no dealbreakers.
Soon I’ll be uploading something to Soundcloud to tell you all what it sounds like.In the meantime, this is what it looks like – and it really is compact (and lightweight at 7kg).
I’ve held off the idea of audiobooks for some time, mainly because I have not found them as easy to distribute as ebooks. However, I have recorded some of them for my own amusement – the Sherlock Ferret series allows me to do quite a lot of silly voices, and also add a little mystery to things.
Here’s a chapter out of Sherlock Ferret and the Phantom Photographer. The whole book lasts for about an hour read in this way.
My question is: how much would you consider paying for a recording of this kind, given that the price for the print edition is US$7.99 or £5.99? Please let me know in the comments below.
Alternative (or in the USA, alternate) history is a genre of fiction where the world has taken a different turn some time in the past, and has produced a timeline which differs from ours. In that the events described in the book rely on a distortion of history prior to those events, it may be seen as different from historical science fiction.
In this latter category, I think we have to place Susanna Clarke’s magnificent magical (in every sense of the word) tour de force, Jonathan Strange and Mr. Norrell, although it deals with people and places and events (the Duke of Wellington, Waterloo) in our world, together with others (John Uskglass, Faerie, etc.), that though meticulously described, have no counterpart in real life.
This site allows me to share my thoughts as a writer, and to tell you something about my books, and the processes behind their creation.
I also hope that in the future, I will be able to publish my conversations with other authors on here and provide considerably more general information on books, writing, and life, the universe and everything.
I’ve come further with this site than I thought I would. Just put up another page of unclassifiable books. Since I don’t stick to one genre all the time, it’s inevitable that there will be some outliers which refuse to fall neatly into one category.
However, some of these have been the most fun to write, and have attracted a fair amount of critical acclaim. Tales of Old Japanese gets almost universal praise, and I suppose it is the most “literary” of all my published writing. You might want to give it a go – although the protagonists of the stories are older Japanese people, you might find yourself identifying with them and their predicaments.
There’s also an attempt at a Father Brown pastiche. Much more difficult than a Sherlock Holmes pastiche for a variety of reasons.
I’ve entitled one of my pages “Historical SF“, but what is historical science fiction, and where, if at all, does it differ from alternative history?
I try to give some sort of answer to this on the page, but probably one of the best answers I can give is my YouTube talk on Angels Unawares, my science fiction story set in Renaissance Italy, and an Islamic country at the same time, which you can find on the same page. The video also includes me reading the first chapter, so you can get an idea of what the book is about.
It’s a genre I am rather fond of, and one where I hope to be writing more in the future.
In the meantime, enjoy this trailer for The Untime Revisited.
I’ve just added three more of my books to this site. They’re not my best sellers, but in some ways they’re the ones I’m most pleased with.
I started off with At the Sharpe End, crossing, double-crossing and triple-crossing at the time of the 2008 bank crisis. Set in Tokyo.
I particularly liked writing Leo’s Luck – it’s an insane romp through sex, rock and roll, and the paranormal. It made me laugh at the antics of its characters at times, and I hope it will do the same for you.
Or, of you want a hard-boiled thriller, check out Balance of Powers (currently a free download), dealing with the problems of an Afghan vet coming back to his Ohio home in 2007 .