Was it really 14 years ago?

airport bank board business

I’m referring to the large financial disaster, which brought about the demise of some of the largest financial institutions in the world, and affected the lives of many. At the time I was living in Japan, where the crisis caused by the securitisation of bad loans was known as “The Lehman Shock”, Lehman Brothers being one of the most prominent casualties of this seismic event.

I was working on the fringes of the financial world, having worked in two major non-Japanese financial institutions, and working for a Japanese bank at the time, but I was minimally affected, though I lost out on a contract to pre-edit Bear Stearns’ investor prospectus prior to the issue of a Japanese version.

However, several of my friends within the financial services industry were affected, and I came to learn of the hardship caused by the dishonest practices of the lenders who took advantage of their clients to earn a fast buck. Michael Lewis’s The Big Short is an excellent introduction to all this (the movie, not so much, in my opinion). In any event, it spurred me into writing two books. Here’s something about the first one.

At the Sharpe End

This was my lecture at the Foreign Correspondents Club of Japan, of which I subsequently became a member, where I introduced the book to a number of people, both Japanese and foreign residents of Japan. It’s quite long, but I think it’s worth watching.

I started to write this some time before the 2008 crash. It was based loosely around what I knew of the financial industry from my own experience, and the experiences of my friends.

It concerns a freelance consultant living in Tokyo (I always say that the protagonist, Kenneth Sharpe, is not me, but I could not have created him without my experiences) who finds himself in possession of a secret technology that allows him to make money in large quantities (technologies very similar to this technology actually exist now – fiction prefiguring fact).

(You can find the book for sale here)

Anyway, for the plot to be interesting, the hero can’t just waltz off into the sunset with his pockets bulging with cash – there must be something to hold the reader’s interest. In this case, I really wanted an external catastrophe that prevented the technology from doing its thing, and so guess what I chose? I was living in Japan, a country with frequent earthquakes and a reliance on nuclear power for much of its energy needs.

March 11, 2011

Yes, I chose an earthquake which wrecked a nuclear power station. This was in 2007/early 2008, several years before the Fukushima disaster. I don’t claim enormous credit for predicting this. I’m not a prophet. The Hamaoka power station, which was the one I described as being wrecked, is situated on the junction of three fault lines. In my opinion, a bloody stupid place to build a fault line. I also did not take account of tsunami action. Incidentally, I was convinced at one point that my wife and I, along with thousands more, were going to die from radiation poisoning. We were lucky that was not the case, though I probably have absorbed more radiation than if I had been living in the UK at the time.

However, after writing this section, along came the Lehman Shock, which made my earthquake rather redundant. I therefore had to change the story a bit, and also, given the time of the year, had to change some of the details in the story to reflect this (heaters went off, air-conditioners went on, etc.). I also incorporated some of the conversations that I’d had with my financial friends in the Foreign Correspondents’ Club of Japan, where I launched the book (always nice to talk about your book in the places featured in the book – happened to me twice now).

The first edition didn’t incorporate the quake, but used the Lehman shock but when I republished with Inknbeans Press in 2012 (post-Fukushima), I added the parts that I had originally written, and the current editions also have .

Anyway, a lot of readers have found it to be a very convincing and authentic look at life in Japan for non-Japanese, as well as being a well-written thriller with lots of twists and turns, and some interesting characters.

Next, I’ll be writing about my other book that came out of the subprime crisis – Balance of Powers.

Bad blurb?

I’ve just received a list of the nominees for an award. The blurb below is for one of these, and it’s written by an established author, and published by an established firm. On Amazon, it has over 4,000 ratings, averaging four stars. This is clearly a book that people enjoy, but with this blurb, I don’t really understand why people are interested in it (names redacted).


A****, F****, E*****, and S**** are still young — but life is catching up with them. They desire each other, they delude each other, they get together, they break apart. They have sex, they worry about sex, they worry about their friendships and the world they live in. Are they standing in the last lighted room before the darkness, bearing witness to something? Will they find a way to believe in a beautiful world?

OK, so young people are aware of time passing. And they have sex and worry about it. And yes, young people are not perfect, and their relationships (sexual and other) ebb and flow. And they worry about all these things.

Why should I wish to read about these people? What makes them interesting or different? Is this the aim of this pedestrian blurb? To make me want to see why 4,000 Amazon readers think this is such a good book? I’m sure that a better blurb would sell more copies.

“Standing in the last lighted room before the darkness” – it’s a beautiful phrase, and one that many people will relate to. I think many generations feel that they’re the last hope of humanity, whether it be battling the evil Hun in the Great War, or the Nazis in the continuation of that conflict, or marching and protesting with CND about nuclear weapons, or even superglueing themselves to the M25 to raise awareness of climate change. So why are these four young people different? I’m not interested.

A book’s blurb blurb needs to show us why this book is so different from so many other books on the market (Amazon carries over 10,000,000 titles). This prose above just makes my heart sink, and excites me as much as a half-finished bowl of cornflakes.

http://freebie.photography/office/pen_notebook.jpg
Time to start again with a blank sheet

Feels good…

But it will feel better when they’re in the hands of readers and reviewers.

All ready for the gig on the 25th – if you’re in the Lichfield area and you are interested, take yourself off to the Erasmus Darwin site, and book your ticket now. Places are limited (COVID).

If you can’t make it, consider placing a pre-order on Amazon or even asking your local bookstore to order it (ISBN 9781912605750).

Lend me your ears…

There’s a very interesting development coming up soon. One of my Sherlock Holmes stories for the MX Collections, “The Holloway Ghosts” was written not in my usual first-person Watson narrative style, but as an audio play.

Steve Emecz, the publisher behind MX, had been quietly asking for some time for me to make my works available as audiobooks, a field in which MX Publishing has quietly been making significant progress.

Accordingly, the Holloway Ghosts made their way over to MX, where they have been recorded and produced by another Steve (White), and Steve W and I worked out some of the production issues (including some of my stupid errors in the script) by email until we were both happy with it.

Audio is more than just the words

As we processed the script, I discovered that there is much more to making a successful audio drama than merely the right words. It helps to have a little atmosphere in there – a ticking clock and a crackling fire summon up the atmosphere of the rooms in 221B Baker Street. The clip-clop of horses’ hoofs brings us outside into a Victorian street, and a little reverberation added to the effects and dialogue places us with Holmes and Watson in a deserted empty room.

And then there’s the voice in which the accents are spoken. Steve, without going into a ludicrous falsetto, can portray the female characters in my story. However, I had envisaged one of my characters as being much more strident, and probably not a Londoner, than Steve made her. So we changed her to be a Midlander with an attitude, and I think we’re much happier with her now.

Steve surprised me with his Lestrade, who seemed to be from Norfolk. However, once I had got over the surprise, it worked, and made a great foil to the stolid Cockney PCs who play a role in the story.

And we also had fun with Otto Sussbinder – a German character who is not all that he appears.

And next…

This is one of the problems I encountered with regard to a voice play – transitions. I could have taken the easy way out, and had Watson do a voice-over.

We left Baker Street and made our way to Holloway by cab. During the journey, Holmes informed Lestrade of his conclusions regarding the recent theft from Westmereland House.

But I felt that was cheating. Accordingly, I wrote these scenes either as dialogue, or as a spoken cue by one of the characters:

Come, let us take a cab to Holloway, and we may usefully pass the time by my informing you, Lestrade, of the conclusions I have reached regarding the Westmereland rubies.

I also found, in scenes where more than one character is present, that I needed to throw in names in order to indicate who is being addressed:

Lestrade, if you would be good enough to call one of your constables, and Watson, follow me to the rear of the house.

All very technical, but necessary to the ultimate success of the production.

So… Keep a lookout for the Holloway Ghosts – appearing soon in a little over 30 minutes of glorious  audio. And at least two more of my longer stories are on the stocks, being adapted in the same way – no descriptions – simply dialogue. It’s an exciting venture.

I’ll be writing more later, when these hit the “shelves”.

 

And now I’m on YouTube

I took part in Mastermind as a contender this year. My specialist subject was “The Mapp and Lucia novels of E.F.Benson”.

Someone has put the episode up on YouTube, and… here it is:

Enjoy!

Halloween is coming

Unknown Quantities is now available for pre-order and will be on sale from Halloween (the paperback will also be available on that date ). However, I will be happy to send a free ebook copy (EPUB or MOBI) to the first ten people to contact me, in exchange for a review somewhere.Unknownback@1.5x

  • Bee-bee – a rag doll who helps her owner cope with life’s ups and downs
  • What you find in a skip – it can be surprising
  • Babysitter – something nasty in the Coopers’ woodshed
  • Time thieves – they steal time and dreams and energy
  • Ships in the night – “as night turned to day, he started to understand the truth”
  • Carnacki at Bunscombe Abbey – a sincere tribute to William Hope Hodgson’s classic ghost-finder
  • The story that wrote itself – sometimes an author gets help from an unexpected source
  • Gianni Two-Pricks – be careful what you take from others – even when they’re dead
  • Lady of the Dance – movement as message
  • Me and my Shadow – or is it really my shadow?
  • What Happens Afterwards? – when you die on the operating table, what’s next?

50% off Alternative History

For the next week (until 24th May) 50% off the ebook editions of my two Finch-Malloy novels: Beneath Gray Skies and Red Wheels Turning, if you buy them (PayPal or credit/debit card) from this site.

Use f3f3fd7cc2 as the discount code at checkout.

Continue reading “50% off Alternative History”

There’s a catch … isn’t there always?

Tomorrow (May 1, 2019) there’s a “Coffee Morning with Local Authors” at Lichfield Library from 10 to 12. If you haven’t visited the Library yet, it’s well worth the visit, believe me. It’s a medieval church that’s been brilliantly converted.

QPV26OTMEFBB7PMCRPN443OINY
Photo: Express & Star

Continue reading “There’s a catch … isn’t there always?”

Read all about it! I continue to make the press (Pt I)

Our local paper, the Lichfield Mercury, just ran this story on me. Very pleased to see this.

Mercury_18-04-19.jpg

Continue reading “Read all about it! I continue to make the press (Pt I)”

Yo ho ho and a bottle of correction fluid…

I recently discovered yet another site which listed many of my titles as being free to download. The site itself does not appear to be hosting the titles but seems to be aggregating content from a number of pirate sites, many of which are listed as hosting malware (browser hijackers, etc.).

At least ebooklibs.co has a page devoted to the steps that anyone alleging infringed copyright can take – so I took them.

Important Note

DO NOT attempt to download the books from the site mentioned here. It links to some very dubious places, and unless you want to spend half a day scraping malware off your hard disk and re-installing software (and/or sending all your credit card details to Eastern European mobsters, I do not recommend downloading from there. By all means use this site here (HughAshtonBooks.com) or any reputable retailer to download my books, but don’t put your digital health at risk by supporting piracy!

Dear Sir

The following titles, whose copyright is owned by me and by my self-publishing operation, are listed as being available on the eBookLibs site as being made available:

Tales from the Deed Box of John H. Watson MD
The Darlington Substitution
Beneath Gray Skies
Secrets from the Deed Box of John H. Watson MD
More from the Deed Box of John H. Watson MD
Without my Boswell
Notes from the Dispatch-box of John H. Watson MD
Further Notes from the Dispatch-box of John H. Watson MD
Red Wheels Turning
At the Sharpe End
The Deed Box of John H. Watson MD*
The Bradfield Push
Tales of Old Japanese
The Reigate Poisoning Case: Continued
The Death of Cardinal Tosca
1894
The Trepoff Murder
Keiko’s House
The Last Notes from the Dispatch-box of John H. Watson MD
Sherlock Ferret and the Missing Necklace*
The Adventures of Sherlock Ferret*
The Untime
Leo’s Luck

These titles may be listed by using the following URL:
https://www.ebooklibs.co/book/search/hugh-ashton/

I hereby declare that I and my self-publishing operation j-views Publishing own the copyright to all these titles, following the reversion of copyright from the now defunct Inknbeans Press. No permission has been given for these to be freely distributed through ebooklibs.co, including from some sites which are recognised by security professionals as being vectors for malware infection (e.g., UIrbookdownload).

Please also note that the metadata information is incorrect, and many of these were published as ebooks, but are no longer available as such, and furthermore titles marked with a asterisk were only published in paper format and were never released as ebooks – they have therefore been scanned and reproduced illegally. In addition, these were never offered for sale in PDF format, which is the format in which they are offered from your site.

I therefore await your speedy confirmation that links to downloads of these titles have been removed from your site.

We will see what effect, this will have, if any. Unfortunately, this is a whack-a-mole business – there are hundreds of these pirate-supporting sites (even if they are not pirates or fronts for pirates themselves, they are actively supporting theft). Please do avoid them.